Shrieks of silence!
U 14.1493 Shrieks of silence. Every cove to his gentry mort. Joyce tossed the expression “Shrieks of silence” into the stylistic maelstrom of the final section of “Oxen of the Sun”, an oxymoron which hardly feels out of place in this linguistic mix. It seems that he puts it in the mouth of Lenehan, always ready with a pun or humorous allusion.1 Did Joyce invent the expression, turning the older “shrieks of laughter” on its head? Word-monger Nigel Rees offers an opinion:2
But "shrieks of silence" occurs in Ulysses in 1922, and Joyce came across the phrase earlier, as he jotted it down in his Oxen notesheets:3
“Shrieks of silence” from a Washington Post cartoon of 15 July 1919 As it turns out, by the 1920s “shrieks of silence” was a familiar expression in Ireland, America, and Britain. The Irish Independent of 18 April 1913 reviews a performance of Strindberg’s The Stronger at the Abbey Theatre in Dublin:
Evidence for the expression derives frequently (though not exclusively) from reviews of stage shows, when the audience greets the performer with less enthusiasm than might be hoped. But it is found in other contexts. In 1905, an Australian newspaper, the Southern Times (Bunbury, Western Australia), sneaks it into the report of a formal meeting:
But it is from the variety stage that the expression appears to owe its origin. The earliest reference yet discovered dates from the Music Hall and Theatre Review of 29 June, 1894. Cliff Ryland was a (self-designated) “eccentric” songster and comic from America with a talent for patter and dramatic understatement. Although advertisements for his shows might refer to his “funny songs, which made everybody shriek with laughter”, he was not averse to laughing at himself:4
Ryland appeared at Dan Lowry’s Star Theatre of Varieties in Dublin in 1895, and made various other outings to Dublin and Belfast in the early years of the twentieth century, so his talent was not unknown in Ireland. It was not unusual for Joyce to be influenced by the world of light opera and the music-hall. “Shrieks of silence” certainly predates Ulysses, and perhaps it was an expression that chimed with Joyce’s penchant for the theatre and popular musical entertainment. John Simpson 1 Clive Hart and Harald Beck, "Oxen of the Sun: allocating text in the closing paragraphs": http://www.jjon.org/joyce-s-environs/oxen. |
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