A night of Irish entertainment
U 9.1105: Swill till eleven. Irish nights entertainment.
Gifford claims that the expression “Irish nights entertainment” is a reference to Patrick McCall’s book The Fenian Nights’ Entertainment, published in Dublin in 1897, which he describes as “Ossianic legends written in peasant dialect and vaguely modelled on the Arabian Nights”.
Stephen’s sarcastic reaction to Buck Mulligan’s “Come, Kinch, the bards must drink”: “Swill till eleven. Irish nights entertainment”1 makes this seem to be a rather far-fetched literary allusion, but Gifford unwittingly hints at the origin of the expression with “vaguely modelled on the Arabian Nights.”2
The success of the 1704 French translation the Arabic kitāb ʾalf layla wa-layla (One Thousand and One Nights) inspired the pirated anonymous English translation (the “Grub Street edition”) of 1706 with the memorable title The Arabian Nights Entertainment. Its popularity was such that only three years later, in 1709, Charles Gildon could publish a collection of stories with the title The Golden Spy: or, a Political Journal of the British Nights Entertainments. The overwhelming enthusiasm with which the exotic, erotic, romantic Arabian Nights Entertainments was met led to various “nights entertainments” collocations over the next 200 years, as we find a profusion of American, British, English, Hibernian, Fenian, Ayrshire, European and Stevenson’s Island nights entertainments.
In 1893 an article in the Pall Mall Gazette about a parliamentary debate on Irish estimates also bore the title: “An Irish Night’s Entertainment”.
Except for the first example, all the others use the phrase in a clearly ironic sense. Irish night’s entertainments of this kind were obviously considered tedious and predictable, whether it involved earnest recitations, endless discussions in Parliament, or a drunken night out in the pub “till eleven”.
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